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Fela Kuti Fela is a man of contradictions. That's what makes him so intriguing. People who love him accept the bad parts of him. His songs can last up to 20 minutes, and are sung in dense, almost incomprehensible Pidgin English. His music is influenced by Christian hymns and jazz, classical music Yoruba chant, and horn-and-guitar heavy highlife. He was a musician Fela Kuti embodied that music can be a tool to influence the world. He utilized his music to call for political and social change and his influence can be present in the world today. His musical style, Afrobeat, is a blend of African and Western influences. Its roots are in West-African music as well as funk. However, fela case settlements has evolved into a brand new genre. His political activism was fierce and fearless. He used his music to protest against corruption in the government and human rights violations. Songs such as “Zombie”, “Coffin for the State Head” and others were blatant criticisms of Nigeria's dictatorship. He also referred to Kalakuta as a venue to gather like-minded people and to promote political activism. The play features a large portrait of his late mother, Funmilayo Ransome-Kuti, who was a prominent feminist activist and feminist pioneer. Shantel Cribbs plays her, and she does a fantastic job of conveying her importance in the life of Fela. The play also focuses on her political activism. Despite her deteriorating condition she refused to be tested for AIDS. Instead she took traditional treatment. He was a singer Fela Ransome Kuti was a multifaceted person who used music to effect changes in the political landscape. He is credited as the creator of afrobeat. It was an invigorating hybrid of funk, dirty and traditional African rhythms. He was a fierce critic of Nigeria's religious and governmental leaders. Fela's mother was an anti-colonial suffragist, so it is not surprising that he has a love for political commentary and social commentary. His parents wanted him to become an ophthalmologist but he had different plans. While he initially sounded in a more political highlife style, a trip to America could alter his perspective forever. His music was profoundly inspired by his exposure to Black Power movements and the leaders such as Eldridge Clever and Malcolm X. He adopted a Pan-Africanism ethos, which would guide and inform his later work. He was a writer Fela encountered Black Power activists such as Stokely Carmichael, and Malcolm X during his time in the United States. The experience inspired him to start an organization called the Movement of the People, and to write songs that expressed his thoughts on political activism and black consciousness. His philosophies were publicly expressed through yabis – a form public speaking he called 'freedom expression'. He also began to establish a strict ethical code for his band, including refusing to use medicine from Western-trained doctors. After returning to Nigeria Fela started building his own club The Shrine in Ikeja. The snares of officers and police were almost constant. His Mosholashi-Idi Oro hangers were able to repopulate the area around the club with hard drugs, especially “bana” and “yamuna” (heroin). Fela kept his integrity in spite of this. His music is a testimony to the determination with which he challenged authority and demanded that the desires of the masses be reflected in official objectives. It is an influence that will last for generations. He was a poet In his music, Fela used light-hearted sarcasm to draw attention to political and economic issues in Nigeria. He also made fun of his audience, government, and even himself. In these shows, he referred to himself as “the big fish in the small pond.” These jokes were not viewed lightly by the authorities and he was frequently arrested and beatings in the hands of the authorities. He eventually took the name Anikulapo, meaning “he carries death in his pocket.” In 1977, Fela released a song called “Zombie” in which he contrasted soldiers with mindless zombies who followed orders without any question. The military was offended by the song who seized the Kalakuta Republic, burning it down and beating its occupants. During the raid, Fela's mother was thrown out of her second-floor apartment through a window. In the years following Nigeria's independence, Fela created Afrobeat, the genre of music that blended jazz with native African rhythm. His songs criticised European cultural imperialism and defended African traditional traditions and religions. He also criticized fellow Africans who betrayed their country's traditions. He also stressed the importance of freedom and human rights. He was a rapper Fela Anikulapo Kuti, trumpeter and saxophonist was born in Abeokuta in 1938. He is a pioneer of Afrobeat music. He grew up listening to jazz and rock and roll, as well as traditional African music and chants, which helped form his style of music. After a trip to the United States, Fela met Sandra Smith. She was an activist in the Black Power Movement. Her ideas influenced his work. Fela's music became a political instrument after his return to Nigeria. He was critical of the government in his home country and insisted that African culture should not be diluted by Western sensibilities. He also wrote about human rights violations and social injustices. right abuses. He was repeatedly detained for his criticism of the military. Fela was also a fervent advocate of marijuana in Africa and is referred to as “igbo”. He held “yabis” (public discussions) at Afrika Shrine where he would ridicule government officials and express his views regarding freedom of expression and the beauty of women's body. Fela also had an entourage of young women, who performed at his shows and also served as vocal backups for his vocalists. He was a dancer Fela was a master of musical fusion, combining elements from beat music, and highlife to create his own distinctive style. He was a renowned African musician and a vocal critic of colonial ruling. Despite being tortured and arrested by the Nigerian military junta and seeing his mother be killed, Fela refused to leave the country. He died from complications due to AIDS in 1997. Fela was an activist for the political cause who was critical of the oppressive Nigerian government and embraced the principles of Pan Africanism. His albums including 1973's Gentleman focused on addressing oppression from both colonial and government parties. He also pushed for black power and criticized Christianity and Islam as non-African imports that have been used to divide the people of Africa. Shuffering and Smiling is the title track of an album from 1978. It is about overcrowded public buses full of working poor people, “shuffering and smiling”. Fela was a fierce anti-religious hypocrisy. The dancers of Fela were an excellent complement to his music. They were vivacious, sensual, and elegant. Their contributions were just as important as Fela's words. He was a political activist Fela Kuti was a militant who used music to challenge unjust authority. He made use of his knowledge of American funk and jazz toward African modes and rhythms, resulting in music that is ready for battle. The majority of his songs start with slow-burning instrumentals. He layers little riffs, long-lined melody lines and other elements until they explode in a blaze of energy. In contrast to many artists who were afraid to speak out about their politics, Fela was fearless and uncompromising. He stood in the cause he believed in, even when it was risky. Funmilayo Ransome Kuti was a feminist who led the Nigerian Women's Movement. His father was a protestant minister and president of the teachers union. He also established Kalakuta Republic – a recording studio and commune that became a symbol of the resistance. The government seized the commune, degrading the property and injuring Fela severely. He refused to give up, however and continued to speak against the government. He died in 1997 from complications related to AIDS. His son Femi continues to carry his musical and political legacy. He was a father Music is often viewed by many as a political action. Artists use lyrics to call for change. Some of the most powerful music demonstrations aren't accompanied by words. Fela Kuti is one the artists mentioned above and his music resonates today. He was the first to pioneer Afrobeat, combining traditional African rhythms and harmonies, with jazz and funk, being influenced by artists such as James Brown. Funmilayo Ransome Kuti was Fela's activist mother. She was a unionist and opposed colonialism. She helped form the Abeokuta Women's Union and fought against gender-discriminatory taxation laws. She also was a Marxist and believed that Nigeria should be serving its whole population. Seun, Fela's Son, is carrying the legacy of his father through a band named Egypt 80. The band is on tour around the world this year. The band's music is a blend of the sounds and politics of Fela's time with a fervent denial of the same power structures that are still in place today. The album, Black Times, will be released in March. Many fans attended the funeral and paid tributes at Tafawa Balewa Square. The crowd was so big, that the police had to shut down the entrance.